Portus Ojomo studied in Nigeria, Belgium and in Mexico. this education and training was firmly grounded in the values of a western (essentially European) history and tradition in art. The dominance of these values was often at odds with the vibrant expression, the immediacy and the animistic spirituality associated with traditional African art.

 

It is remarkable that through his creative ability and his mastery of techniques Ojomo has managed in his work to mediate between the dominant culture and the "other-ness" of African identity.

 

The paintings here combine abstract and figurative elements such as masks, reptiles and other animal forms. The way in which these elements inhabit the canvas is intended to set up an ureal and spiritual atmosphere.

 

It is this dream-like quality, set against moral dangers and a harsh reality that gives Ojomo's paintings their special renonance. The colours, however, are strong, vibrant and contrasting in their relationship on the canvas.

 

Ojomo embraces subjects, media and techniques which integrate western and African sources. His work is a celebration of diversity and distinctive traditions alongside an acknowledgement of our shared concerned and characteristics in a multicultural society.

 

By Howard Mason (Antwerp, December 2002)